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After pandemic hiatus, Detroit Auto Show reboots itself

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General Motors President of Cadillac Steve Carlisle revealed the Cadillac XT6 in January 2019 during the last Detroit Auto Show prior to the pandemic
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Less glitz, better weather. 

The Detroit Auto Show, long a dead of winter mainstay that drew car industry brass and international media to America’s “Motor City” ahead of a big public expo, will convene next week for the first time since the Covid-19 pandemic.

The event, reconceptualized as a partly outdoor gathering, will spotlight the growing class of electric vehicles (EV) that are beginning to hit showrooms, in what is still the early days of a lengthy transition.

With no Detroit show since 2019, event organizers tout a chance for media and the public to check out vehicles that they may have only seen virtually until now.  

In another highlight, President Joe Biden plans to attend the show’s media day on Wednesday to highlight policies to boost EV adoption.

But longtime Detroit show attendees are expecting a fanfare-light affair.

In its peak years, the January event was known for free-flowing champagne and fancy nibbles as CEOs from Detroit’s “Big 3” and international giants like Toyota and Mercedes-Benz unveiled sparkling new four-wheel offerings.

Architects of the event, officially called the North American International Auto Show, are not trying to replicate the panache of the show’s earlier incarnation in light of profound changes since the last show in 2019.

“You can’t keep doing what you did,” Rod Alberts, executive director of the Detroit Auto Dealers Association. “You have to take some risk.”

Unlike with the winter show, attendees from the public will have the chance to ride in autos downtown. A “show above the show” will demonstrate emerging air mobility products.

But there is a paucity of major new vehicle reveals, in part because foreign brands that once competed with Detroit’s Big 3 for the spotlight aren’t presenting.

“It will be a very different show,” said longtime Detroit-based industry analyst Michelle Krebs of Cox Automotive. “The days of the auto show being big media splashes are over.” 

– Competing with virtual launches –

Detroit is far from the only show facing existential questions.

The Geneva auto show was canceled this year for the fourth time in a row and will relocate in 2023 to Doha, while the Frankfurt show moved to Munich and was reconfigured as a “mobility” event. Next month’s Paris show is expected to be smaller than in years past.

One major change concerns vehicle launches, with automakers discovering during the pandemic the benefits of virtual unveilings, which are cheaper than big auto shows that force them to compete for attention with other automakers.

General Motors went that route with its EV Equinox, revealing the much-anticipated vehicle online and through an appearance by Chief Executive Mary Barra on CBS News on Thursday — a week before the Detroit show.

“The way we reveal vehicles has changed in the last few years to accommodate new ways to reach a larger number of folks,” said GM spokesman Chad Lyons, adding that the Equinox and other leading EVs will be shown in Detroit along with another new product introduction.

The biggest product reveal is expected to be Ford’s seventh-generation Mustang. Seeking to pique interest, the Michigan auto giant has not said whether the auto to be unveiled Wednesday is electric or internal combustion engine.

The Mustang launch was first announced on Twitter in July by Chief Executive Jim Farley. The company has organized a “stampede” to Detroit’s Hart Plaza of Mustangs from the six earlier generations, begun in Tacoma Washington and crossing nine states.

Besides Ford and GM, Stellantis also plans new vehicle events in Detroit, including a reveal Tuesday night near Huntington Place, the indoor venue. 

Analysts expect shows like Detroit to continue to evolve away from being media spectacles and revert to their original function for consumers to check out vehicles.

“It’s still important as a consumer experience, a place where there’s no pressure and you can just see the vehicles,” said Jessica Caldwell, executive director of insights for the automotive research firm Edmunds.

Even so, the Detroit show has still seen 2,000 media pass registrants from 30 countries, said Alberts, who believes the shift to EVs means the show also provides the public the chance “to understand these new technologies and be more comfortable with them.”

Post-pandemic realities make predictions impossible, but Alberts said public attendance of 500,000 would be a success. At its peak, the event drew more than 700,000, he said. 

Analyst Krebs described the show’s prospects as a question mark. Holding the event in January, a season of bitter cold, coincided with a season when being inside made sense. September marks the return of American football during a season when people like to be outside.

“It’ll be a big test of whether you’ll get consumers when there’s other things to do,” she said. “Let’s see what happens.”

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Biden bans US govt use of malicious commercial spyware

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US President Joe Biden has signed a bill banning government use of commercial spyware, citing its use for political oppression in countries around the world
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US President Joe Biden signed a ban Monday on government use of commercial spyware technology like the controversial Pegasus program, citing its use for political oppression in countries around the world.

The White House said commercial spyware poses a distinct intelligence threat to the United States and has been found on the phones of 50 US officials overseas.

In addition, a number of foreign governments have used it “to facilitate repression and enable human rights abuses.”

“Misuse of these powerful surveillance tools has not been limited to authoritarian regimes,” the White House said in a statement.

“Democratic governments also have confronted revelations that actors within their systems have used commercial spyware to target their citizens without proper legal authorization, safeguards, and oversight.”

Biden’s order was not a full ban on commercial spyware, but would apply to any program deemed a US security risk, or that is used for political abuse by other governments.

It also did not restrict spyware developed by US government agencies themselves, like the CIA or National Security Agency, the leading electronic  intelligence body.

The most threatening software can scrape up all data from targeted devices with remote direction and control, according to a senior Biden administration official.

Last year the administration warned that it was planning tight restrictions on privately developed surveillance software after numerous cases surfaced of its use for political purposes in numerous countries around the world.

No specific names were cited in Monday’s announcement, but the US government has already taken action to prevent the use of several programs and companies seen as threatening.

In November the Commerce Department placed four spyware developers on its blacklist: Israeli firms NRO Group and Candiru, Positive Technologies of Russia, and Singapore’s Computer Security Initiative Consultancy.

Pegasus, created by NRO Group, was used by governments and other entities in Mexico, Poland, Spain, Hungary, Bahrain, India and elsewhere.

“There was an effort by commercial spyware vendors, like in other countries, to try to make inroads across the US federal government, and to market and to sell their tools across the federal government,” the senior official told reporters.

“So we purposely announced publicly that we would be pursuing this sort of ban.”

The ban was announced one day before Biden hosts his second Summit for Democracy, with leaders from 121 countries invited to join the three-day event.

The White House called the commercial spyware ban a “cornerstone” initiative for the summit.

The order “demonstrates the United States’ leadership in, and commitment to, advancing technology for democracy,” it said.

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Artist Karla Ortiz sees AI ‘identity theft’, not promise

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Illustrator and content artist Karla Ortiz poses in her studio in San Francisco, California
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For artist Karla Ortiz, the explosion in artificial intelligence that can stand in for flesh-and-blood artists is nothing more than identity theft.

A native of Puerto Rico, Ortiz is a California-based designer, a concept artist and painter who has worked for videogaming giant Ubisoft, Marvel Studios, the Wizards of the Coast fantasy game publisher and has exhibited her work in galleries.

But now her profession could be completely disrupted by generative AI, the technology behind apps such as Dall-E and ChatGPT, which in seconds can crank out original content — illustrations, poems, computer code — with only a simple prompt.

About a year ago, Ortiz discovered Disco Diffusion, an open source AI-based image generating tool, but it is not easy to use for those less tech savvy.

At first, she thought it was an interesting experiment, but quickly she realized that the program was using the work of many of her friends without them knowing it.

They asked to have their work removed, but to no avail, and they backed down. She told herself art theft is nothing new in their line of work.

“It’s weird that this is happening, but whatever,” she told herself at the time.

But months later, with the introduction of even more powerful programs such as Midjourney and Stable Diffusion, which can generate images “in the style of” a chosen artist, she was brought face to face with the magnitude of the phenomenon.

Ortiz said she was shocked when she looked at how the programs were trained.

“All the training data, all the training material, it’s our work.”

In her studio, standing between her easel and her computer, Ortiz puts the final touches of oil paint on her latest work, “Musa Victoriosa,” a woman surrounded by eagles, brandishing a laurel wreath.

This muse, which will be used to illustrate a copyright protection app, embodies artists defiant against technology.

To those who argue that human artists also draw inspiration from others’ work, Ortiz says they are missing the point.

“Just because I look at a painting that I love, it doesn’t mean that I archive that influence and that it automatically becomes a part of how I paint,” she said.

“Influences can only get you so far in art,” she added.

“The rest is your training, your life, your experiences, your thoughts of the day; that extra bit of humanity that filters inspirations and experiences together and creates your own voice and work,” she said.

She worries about young artists who need the time and experience to find their style but will be squeezed out by AI.

– ‘Canary in the coalmine’ –

“How does a person break in now? And if you break in and you do develop a style, that’s wonderful, but what stops anybody from training a model on your work?”

Along with other artists, Ortiz filed a lawsuit in a California court against three generative AI companies, hoping one day to get the industry regulated.

This fight has strengthened bonds between creators, and not only designers, she said.

“I’m seeing more writers and also voice actors being very concerned because of the technology that can take your voice and mimic it perfectly,” Ortiz said.

Silicon Valley investors “want to expand to pretty much every creative endeavor,” she warned.

“Our profession was automated first so we kind of became the canary in the coal mine.”

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Threat of US ban surges after TikTok lambasted in Congress

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A US TikTok ban will depend on passage of legislation called the RESTRICT ACT, a bipartisan bill introduced in the Senate this month
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A US ban of Chinese-owned TikTok, the country’s most popular social media for young people, seems increasingly inevitable a day after the brutal grilling of its CEO by Washington lawmakers from across the political divide.

But the Biden administration will have to move carefully in denying 150 million young Americans their favorite platform over its links to China, especially after a previous effort by then president Donald Trump was struck down by a US court.

TikTok CEO Shou Zi Chew endured a barrage of questions — and was often harshly cut off — by US lawmakers who made their belief quite clear that the app best known for sharing jokes and dance routines was a threat to US national security as well as being a danger to mental health.

In a tweet, TikTok executive Vanessa Pappas deplored a hearing “rooted in xenophobia”.  

With both Republicans and Democrats against him at Congress, Chew must now confront a White House ultimatum that TikTok either sever ties with ByteDance, its China-based owners, or get banned in America.

A ban will depend on passage of legislation called the RESTRICT ACT, a bipartisan bill introduced in the Senate this month that gives the US Commerce Department powers to ban foreign technology that threatens national security.

When asked about Chew’s tumultuous hearing, spokeswoman Karine Jean-Pierre repeated the White House’s support of the legislation, which is just one of several proposals by Congress to ban or squeeze TikTok.

– ‘Prove a negative’ –

The sell-or-get banned order tears up 2.5 years of negotiations between the White House and Tiktok to find a way for the company to keep running under its current ownership while satisfying national security concerns.

Those talks resulted in a proposal by TikTok called Project Texas in which the personal data of US users stays in the United States and would be inaccessible to Chinese law or oversight.

But the White House turned sour on the idea after officials from the FBI and the Justice Department said that the vulnerabilities to China would remain.

“It’s hard for TikTok to prove a negative ‘No, we’re not turning over any data to the Chinese government.’ Look at how skeptical our European partners are about US companies where we have a strong legal system,” said Michael Daniel, executive director of the Cyber Threat Alliance, a non-governmental organization dedicated to cybersecurity.

Presently, the White House’s preferred solution is that TikTok sever ties with ByteDance either through a sale or a spin-off.

“My understanding is that what has been… insisted on is the divestment of Tiktok by the parent company,” US Secretary of State Antony Blinken said on Thursday.

But that option is riddled with difficulties, with many experts saying that Tiktok cannot function without ByteDance, which develops the app’s industry-leading technology.

“ByteDance’s ownership of TikTok and the golden jewel algorithm at the center of this security debate is a hot button issue that will not necessarily be solved just by a spin-off or sale of the assets,” said Dan Ives of Wedbush Securities.

Proving the point, China has ruled out giving the go-ahead for a TikTok sale, citing its own laws to protect sensitive technology from foreign buyers.

That leaves a ban which would see the full might of the US government crush TikTok to the undeniable benefit of domestic rivals Instagram, Snapchat and YouTube.

They currently trail TikTok, which is the most popular social media in the United States.

– Snapchat wins –

TikTok’s demise “will clearly benefit Meta and Snapchat front and center in the eyes of Wall Street,” said Ives, who believes the saga will play out for the rest of the year.

One unknown is whether a death sentence for TikTok will cost Washington politically among young voters.

Through a ban, “a democracy will be taking steps that impede the ability of young Americans to express themselves and earn a livelihood,” said Sarah Kreps, professor of government at Cornell University.

The lawmakers putting the Tiktok CEO over the coals minimized the danger of political blowback.

“I want to say this to all the teenagers… who think we’re just old and out of touch,” said representative Dan Crenshaw, a Republican. 

“You may not care that your data is being accessed now, but there will be one day when you do care about it,” he said.

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