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In Nigeria, finding value in waste recycling

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There's money in trash: Scrap metal at Romco's recycling plant in Lagos
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Mounds of waste scattered along roads and vast landfills are a Nigerian eyesore.

In Africa’s biggest economy and most populous country, collecting, sorting and recycling trash is despairingly rare.

But there is also good news. Some entrepreneurs are working hard to tackle the rubbish mountain, despite the many challenges.

Romco Metals started recycling aluminium at its factory outside Lagos in 2015, drawn by global demand for the light, strong, flexible metal.

Buoyed by good results, it built a second facility outside Ghana’s capital Accra and now plans to open at least three new plants across Africa and triple production by 2025.

Aluminium is the world’s second most-used metal after steel and used widely in construction, medicine and car-making.

“Electric vehicles require more durable lighter material such as aluminium, and that’s where our materials end up,” said the company’s youthful founder, 32-year-old Raymond Onovwigun.

– Job creation –

A British-registered company, Romco melts down and recycles around 1,500 tonnes of discarded aluminium per month, out of a capacity of 3,000 tonnes.

It says it has created 450 direct jobs — 5,000 in total, in this labour-intensive sector — and plans to double that number within a year.

“Before… there was no work,” community leader Bankole Gbenga known as Chief Abore told AFP during a recent visit to the Lagos facility. 

Chief Abore says more than a hundred young people from his community alone now work for Romco in some capacity.

“Some are doing carpentry, some are welders… some of the youth are doing security,” said the 40-year-old.

Among those who have most benefited from Romco’s business are material suppliers like Mohammed Ashiru Madugu, who delivers several truckloads of metal scrap each week.

Madugu has a warehouse in northwestern Katsina, where suppliers from across the state and even neighbouring states bring him discarded metal.

He loads the goods onto trucks and sends them all the way to Lagos, more than a thousand kilometres (600 miles) away.

For one truck, he can get paid up to 26 million naira (about $60,000 dollars) although the price fluctuates.

The scrap supplier said those trips required escorts because of the risk of ambushes by criminal gangs on the road. 

Romco later told AFP that none of its suppliers need escorts and none had been involved in any attacks by criminals.

“We have had zero instances of anything of the sort,” it said in a statement.

– Vast problem –

Only a tiny fraction of waste is recycled in Nigeria, a country of some 210 million consumers.

Plastic, metal and glass that in advanced economies are routinely picked up and processed are mostly tossed out.

Each year, Nigeria disgorges 200,000 tonnes of plastic into the Atlantic, the UN Industrial Development Organisation reported last year.

In Lagos alone, a city of more than 20 million people, less than 10 percent total recyclables are currently collected, Ibrahim Adejuwon Odumboni, managing director of the Lagos State Management Agency told AFP.

By comparison, in the UK, more than 41 percent of waste picked up by local authorities was recycled last year, according to British statistics.

For Odumboni, recycling initiatives are to be commended but more should be done by the companies making aluminium beverage cans and other products.

“We need the manufacturers to invest in the collection system. In many parts of the world, a portion of what producers sell is going into the recovery of products. We currently don’t have that in Nigeria,” he said.

If companies selling aluminium products “are not held responsible (for collecting waste) then it doesn’t make any sense — we’re just going round and round in circle.”

He blames poor legislation but says an improved law on Extended Producer Responsibility (EPR) is currently being discussed in the state house of assembly.

EPR is an environmental policy in place in many countries that gives producers incentives to take responsibility for their products after they are used.

Another challenge for recyclers is carbon emissions from the energy they use to crush, shred or melt old materials.

Romco, for instance, uses compressed natural gas to turn the aluminium into ingots.

“(It) is still a fossil fuel but the best, most efficient fossil fuel. It doesn’t contain lead or sulphur,” said Onovwigun.

The company says, however, that it wants to be independent of fossil fuels and is “exploring the potential of using solar, green hydrogen, and biofuels.”

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Biden bans US govt use of malicious commercial spyware

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US President Joe Biden has signed a bill banning government use of commercial spyware, citing its use for political oppression in countries around the world
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US President Joe Biden signed a ban Monday on government use of commercial spyware technology like the controversial Pegasus program, citing its use for political oppression in countries around the world.

The White House said commercial spyware poses a distinct intelligence threat to the United States and has been found on the phones of 50 US officials overseas.

In addition, a number of foreign governments have used it “to facilitate repression and enable human rights abuses.”

“Misuse of these powerful surveillance tools has not been limited to authoritarian regimes,” the White House said in a statement.

“Democratic governments also have confronted revelations that actors within their systems have used commercial spyware to target their citizens without proper legal authorization, safeguards, and oversight.”

Biden’s order was not a full ban on commercial spyware, but would apply to any program deemed a US security risk, or that is used for political abuse by other governments.

It also did not restrict spyware developed by US government agencies themselves, like the CIA or National Security Agency, the leading electronic  intelligence body.

The most threatening software can scrape up all data from targeted devices with remote direction and control, according to a senior Biden administration official.

Last year the administration warned that it was planning tight restrictions on privately developed surveillance software after numerous cases surfaced of its use for political purposes in numerous countries around the world.

No specific names were cited in Monday’s announcement, but the US government has already taken action to prevent the use of several programs and companies seen as threatening.

In November the Commerce Department placed four spyware developers on its blacklist: Israeli firms NRO Group and Candiru, Positive Technologies of Russia, and Singapore’s Computer Security Initiative Consultancy.

Pegasus, created by NRO Group, was used by governments and other entities in Mexico, Poland, Spain, Hungary, Bahrain, India and elsewhere.

“There was an effort by commercial spyware vendors, like in other countries, to try to make inroads across the US federal government, and to market and to sell their tools across the federal government,” the senior official told reporters.

“So we purposely announced publicly that we would be pursuing this sort of ban.”

The ban was announced one day before Biden hosts his second Summit for Democracy, with leaders from 121 countries invited to join the three-day event.

The White House called the commercial spyware ban a “cornerstone” initiative for the summit.

The order “demonstrates the United States’ leadership in, and commitment to, advancing technology for democracy,” it said.

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Artist Karla Ortiz sees AI ‘identity theft’, not promise

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Illustrator and content artist Karla Ortiz poses in her studio in San Francisco, California
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For artist Karla Ortiz, the explosion in artificial intelligence that can stand in for flesh-and-blood artists is nothing more than identity theft.

A native of Puerto Rico, Ortiz is a California-based designer, a concept artist and painter who has worked for videogaming giant Ubisoft, Marvel Studios, the Wizards of the Coast fantasy game publisher and has exhibited her work in galleries.

But now her profession could be completely disrupted by generative AI, the technology behind apps such as Dall-E and ChatGPT, which in seconds can crank out original content — illustrations, poems, computer code — with only a simple prompt.

About a year ago, Ortiz discovered Disco Diffusion, an open source AI-based image generating tool, but it is not easy to use for those less tech savvy.

At first, she thought it was an interesting experiment, but quickly she realized that the program was using the work of many of her friends without them knowing it.

They asked to have their work removed, but to no avail, and they backed down. She told herself art theft is nothing new in their line of work.

“It’s weird that this is happening, but whatever,” she told herself at the time.

But months later, with the introduction of even more powerful programs such as Midjourney and Stable Diffusion, which can generate images “in the style of” a chosen artist, she was brought face to face with the magnitude of the phenomenon.

Ortiz said she was shocked when she looked at how the programs were trained.

“All the training data, all the training material, it’s our work.”

In her studio, standing between her easel and her computer, Ortiz puts the final touches of oil paint on her latest work, “Musa Victoriosa,” a woman surrounded by eagles, brandishing a laurel wreath.

This muse, which will be used to illustrate a copyright protection app, embodies artists defiant against technology.

To those who argue that human artists also draw inspiration from others’ work, Ortiz says they are missing the point.

“Just because I look at a painting that I love, it doesn’t mean that I archive that influence and that it automatically becomes a part of how I paint,” she said.

“Influences can only get you so far in art,” she added.

“The rest is your training, your life, your experiences, your thoughts of the day; that extra bit of humanity that filters inspirations and experiences together and creates your own voice and work,” she said.

She worries about young artists who need the time and experience to find their style but will be squeezed out by AI.

– ‘Canary in the coalmine’ –

“How does a person break in now? And if you break in and you do develop a style, that’s wonderful, but what stops anybody from training a model on your work?”

Along with other artists, Ortiz filed a lawsuit in a California court against three generative AI companies, hoping one day to get the industry regulated.

This fight has strengthened bonds between creators, and not only designers, she said.

“I’m seeing more writers and also voice actors being very concerned because of the technology that can take your voice and mimic it perfectly,” Ortiz said.

Silicon Valley investors “want to expand to pretty much every creative endeavor,” she warned.

“Our profession was automated first so we kind of became the canary in the coal mine.”

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Threat of US ban surges after TikTok lambasted in Congress

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A US TikTok ban will depend on passage of legislation called the RESTRICT ACT, a bipartisan bill introduced in the Senate this month
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A US ban of Chinese-owned TikTok, the country’s most popular social media for young people, seems increasingly inevitable a day after the brutal grilling of its CEO by Washington lawmakers from across the political divide.

But the Biden administration will have to move carefully in denying 150 million young Americans their favorite platform over its links to China, especially after a previous effort by then president Donald Trump was struck down by a US court.

TikTok CEO Shou Zi Chew endured a barrage of questions — and was often harshly cut off — by US lawmakers who made their belief quite clear that the app best known for sharing jokes and dance routines was a threat to US national security as well as being a danger to mental health.

In a tweet, TikTok executive Vanessa Pappas deplored a hearing “rooted in xenophobia”.  

With both Republicans and Democrats against him at Congress, Chew must now confront a White House ultimatum that TikTok either sever ties with ByteDance, its China-based owners, or get banned in America.

A ban will depend on passage of legislation called the RESTRICT ACT, a bipartisan bill introduced in the Senate this month that gives the US Commerce Department powers to ban foreign technology that threatens national security.

When asked about Chew’s tumultuous hearing, spokeswoman Karine Jean-Pierre repeated the White House’s support of the legislation, which is just one of several proposals by Congress to ban or squeeze TikTok.

– ‘Prove a negative’ –

The sell-or-get banned order tears up 2.5 years of negotiations between the White House and Tiktok to find a way for the company to keep running under its current ownership while satisfying national security concerns.

Those talks resulted in a proposal by TikTok called Project Texas in which the personal data of US users stays in the United States and would be inaccessible to Chinese law or oversight.

But the White House turned sour on the idea after officials from the FBI and the Justice Department said that the vulnerabilities to China would remain.

“It’s hard for TikTok to prove a negative ‘No, we’re not turning over any data to the Chinese government.’ Look at how skeptical our European partners are about US companies where we have a strong legal system,” said Michael Daniel, executive director of the Cyber Threat Alliance, a non-governmental organization dedicated to cybersecurity.

Presently, the White House’s preferred solution is that TikTok sever ties with ByteDance either through a sale or a spin-off.

“My understanding is that what has been… insisted on is the divestment of Tiktok by the parent company,” US Secretary of State Antony Blinken said on Thursday.

But that option is riddled with difficulties, with many experts saying that Tiktok cannot function without ByteDance, which develops the app’s industry-leading technology.

“ByteDance’s ownership of TikTok and the golden jewel algorithm at the center of this security debate is a hot button issue that will not necessarily be solved just by a spin-off or sale of the assets,” said Dan Ives of Wedbush Securities.

Proving the point, China has ruled out giving the go-ahead for a TikTok sale, citing its own laws to protect sensitive technology from foreign buyers.

That leaves a ban which would see the full might of the US government crush TikTok to the undeniable benefit of domestic rivals Instagram, Snapchat and YouTube.

They currently trail TikTok, which is the most popular social media in the United States.

– Snapchat wins –

TikTok’s demise “will clearly benefit Meta and Snapchat front and center in the eyes of Wall Street,” said Ives, who believes the saga will play out for the rest of the year.

One unknown is whether a death sentence for TikTok will cost Washington politically among young voters.

Through a ban, “a democracy will be taking steps that impede the ability of young Americans to express themselves and earn a livelihood,” said Sarah Kreps, professor of government at Cornell University.

The lawmakers putting the Tiktok CEO over the coals minimized the danger of political blowback.

“I want to say this to all the teenagers… who think we’re just old and out of touch,” said representative Dan Crenshaw, a Republican. 

“You may not care that your data is being accessed now, but there will be one day when you do care about it,” he said.

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