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The camera never lied… until AI told it to

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An image generated by Jos Avery using the AI program Midjourney
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An amateur photographer who goes by the name “ibreakphotos” decided to do an experiment on his Samsung phone last month to find out how a feature called “space zoom” actually works.

The feature, first released in 2020, claims a 100x zoom rate, and Samsung used sparkling clear images of the Moon in its marketing.

Ibreakphotos took his own pictures of the Moon — blurry and without detail — and watched as his phone added craters and other details.

The phone’s artificial intelligence software was using data from its “training” on many other pictures of the Moon to add detail where there was none.

“The Moon pictures from Samsung are fake,” he wrote, leading many to wonder whether the shots people take are really theirs anymore — or if they can even be described as photographs.

Samsung has defended the technology, saying it does not “overlay” images, and pointed out that users can switch off the function.

The firm is not alone in the race to pack its smartphone cameras with AI — Google’s Pixel devices and Apple’s iPhone have been marketing such features since 2016.

The AI can do all the things photographers used to labour over — tweaking the lighting, blurring backgrounds, sharpening eyes — without the user ever knowing. 

But it can also transform backgrounds or simply wipe away people from the image entirely.

And the debate over AI is not limited to hobbyists on message boards — professional bodies are raising the alarm too.

– Sidestepping the tech –

The industry is awash with AI, from cameras to software like Photoshop, said Michael Pritchard of the Royal Photographic Society of Britain.

“This automation is increasingly blurring boundaries between a photograph and a piece of artwork,” he told AFP.

The nature of AI is different to previous innovations, he said, because the technology can learn and bring new elements beyond those recorded by film or sensor.

This brings opportunities but also “fundamental challenges around redefining what photography is, and how ‘real’ a photograph is”, Pritchard said. 

Nick Dunmur of the Britain-based Association of Photographers said professionals most often use “RAW” files on their digital cameras, which capture images with as little processing as possible.

But sidestepping the tech is less easy for a casual smartphone shooter. 

Ibreakphotos, who posted his finding on Reddit, pointed out that technical jargon around AI is not always easy to understand — perhaps deliberately so.

“I wouldn’t say that I am happy with the use of AI in cameras, but I am OK with it as long as it is communicated clearly what each processing pipeline actually does,” he told AFP, asking not to use his real name.

– Not ‘human-authored’ –

What professional photographers are most concerned about, though, is the rise of AI tools that generate completely new images. 

In the past year, DALL-E 2, Midjourney and Stable Diffusion have exploded in popularity thanks to their ability to create images in hundreds of styles with just a short text prompt.

“This is not human-authored work,” Dunmur said, “and in many cases is based on the use of training datasets of unlicensed work.”

These issues have already led to court cases in the United States and Europe.

According to Pritchard, the tools risk disrupting the work of anyone “from photographers, to models, to retouchers and art directors”. 

But Jos Avery, an American amateur photographer who recently tricked thousands on Instagram by filling his feed with stunning portraits he had created with Midjourney, disagreed.

He said the lines drawn between “our work” and “the tool’s work” were arbitrary, pointing out that his Midjourney images often took many hours to create.

But there is broad agreement on one fundamental aspect of the debate — the risk for photography is not existential.

“AI will not be the death of photography,” Avery said.

Pritchard agreed, noting that photography had endured from the daguerreotype to the digital era, and photographers had always risen to technical challenges.

That process would continue even in a world awash with AI-generated images, he said.

“The photographer will bring a deeper understanding to the resulting image even if they haven’t directly photographed it,” he said.

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In Brazil, hopes to use AI to save wildlife from roadkill fate

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Some 475 million vertebrate animals die on Brazilian roads every year
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In Brazil, where about 16 wild animals become roadkill every second, a computer scientist has come up with a futuristic solution to this everyday problem: using AI to alert drivers to their presence.

Direct strikes on the vast South American country’s extensive road network are the top threat to numerous species, forced to live in ever-closer proximity with humans.

According to the Brazilian Center for Road Ecology (CBEE), some 475 million vertebrate animals die on the road every year — mostly smaller species such as capybaras, armadillos and possums.

“It is the biggest direct impact on wildlife today in Brazil,” CBEE coordinator Alex Bager told AFP.

Shocked by the carnage in the world’s most biodiverse country, computer science student Gabriel Souto Ferrante sprung into action.

The 25-year-old started by identifying the five medium- and large-sized species most likely to fall victim to traffic accidents: the puma, the giant anteater, the tapir, the maned wolf and the jaguarundi, a type of wild cat.

Souto, who is pursuing a master’s degree at the University of Sao Paulo (USP), then created a database with thousands of images of these animals, and trained an AI model to recognize them in real time.

Numerous tests followed, and were successful, according to the results of his efforts recently published in the journal Scientific Reports.

Souto collaborated with the USP Institute of Mathematical and Computer Sciences.

For the project to become a reality, Souto said scientists would need “support from the companies that manage the roads,” including access to traffic cameras and “edge computing” devices — hardware that can relay a real-time warning to drivers like some navigation apps do.

There would also need to be input from the road concession companies, “to remove the animal or capture it,” he told AFP.

It is hoped the technology, by reducing wildlife strikes, will also save human lives.

– ‘More roads, more vehicles’- 

Bager said a variety of other strategies to stop the bloodshed on Brazilian roads have failed.

Signage warning drivers to be on the lookout for crossing animals have little influence, he told AFP, leading to a mere three-percent reduction in speed on average.

There are also so-called fauna bridges and tunnels meant to get animals safely from one side of the road to the other, and fences to keep them in — all insufficient to deal with the scope of the problem, according to Bager.

In 2014, he created an app called Urubu with other ecologists, to which thousands of users contributed information, allowing for the identification of roadkill hotspots.

The project helped to create public awareness and even inspired a bill on safe animal crossing and circulation, which is awaiting a vote in Congress. 

A lack of money saw the app being shut down last year, but Bager is intent on having it reactivated.

“We have more and more roads, more vehicles and a number of roadkill animals that likely continues to grow,” he said.

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Honda to build major EV plant in Canada: govt source

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Honda hopes to sell only zero-emission vehicles by 2040, with a goal of going carbon-neutral in its own operations by 2050
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Japanese auto giant Honda will open an electric vehicle plant in eastern Canada, a Canadian government source familiar with the multibillion-dollar project told AFP on Monday.

The federal government as well as the province of Ontario, where the plant will be built, will both provide some financial incentives for the deal, according to the source, who spoke on condition of anonymity.

The official announcement is due Thursday, though Ontario premier Doug Ford hinted at the deal on Monday.

“This week, we’ve landed a new deal. It will be the largest deal in Canadian history. It’ll be double the size of Volkswagen,” he said, referring to a battery plant announced last year, for which the German automaker pledged Can$7 billion (US$5 billion) in investment.

Canada in recent years has been positioning itself as an attractive destination for electric vehicle investment, touting tax incentives, renewable energy access and its rare mineral deposits.

The Honda plant, to be built an hour outside Toronto, in Alliston, will also produce electric-vehicle batteries, joining existing Volkswagen and Stellantis battery plants.

In January, when news of the deal first bubbled up in the Japanese press, the Nikkei newspaper estimated it would be worth Can$14 billion — numbers backed up by Canadian officials recently.

In the federal budget announced last week, Prime Minister Justin Trudeau’s government introduced a new business tax credit, granting companies a 10 percent rebate on construction costs for new buildings used in key segments of the electric vehicle supply chain.

Canada’s strategy follows that of the neighboring United States, whose Inflation Reduction Act has provided a host of incentives for green industry.

Honda hopes to sell only zero-emission vehicles by 2040, with a goal of going carbon-neutral in its own operations by 2050.

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Denmark launches its biggest offshore wind farm tender

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Denmark's offshore wind parks currently generate 2.7 gigawatts of electricity
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The Danish Energy Agency on Monday launched its biggest tender for the construction of offshore wind farms, aimed at producing six gigawatts by 2030 — more than double Denmark’s current capacity.

Offshore wind is one of the major sources of green energy that Europe is counting on to decarbonise electricity production and reach its 2050 target of net zero carbon production, but it remains far off the pace needed to hit its targets.

Denmark’s offshore wind parks currently generate 2.7 gigawatts of electricity, with another one GW due in 2027.

The tender covers six sites in four zones in Danish waters: North Sea I, Kattegat, Kriegers Flak II and Hesselo.

“We are pleased that we can now offer the largest offshore wind tender in Denmark to date. This is a massive investment in the green transition,”  Kristoffer Bottzauw, head of the Danish Energy Agency, said in a statement.

Investment in offshore wind plummeted in Europe in 2022 due to supply chain problems, high interest rates and a jump in prices of raw materials, before bouncing back in 2023.

A record 4.2 gigawatts was installed in Europe last year, when a record 30 billion euros in new projects were approved, the trade association WindEurope said in January.

It said it was optimistic about the future of offshore wind in Europe, expecting new offshore wind capacity of around five gigawatts per year for the next three years.

However, it noted that that was still far short of what is needed if Europe wants to hit its 2030 target of 111 gigawatts of offshore wind installed capacity, with less than 20 gigawatts installed at the end of 2023.

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